Wednesday, March 27, 2013

The Art of the Spin-off


We’ve probably all seen them. You sit down to watch your favorite television show, ready to relax and enjoy a visit with your favorite fictional friends, but something is different this week. There are a lot of new characters, or maybe a minor character from the past has returned, but seems to be playing a much larger role, and they’ve brought friends. All the sudden your favorite show has taken off in a different direction for that episode, and that’s when you realize you’re watching a backdoor pilot.

Backdoor pilots happen every season.  A popular show is deemed successful and interesting enough that the studio feels the formula will work again and allows the producer or shows creator to attempt to recreate this kind of hype on another show.  If the pilot is successful they will order the series to production. Spin-offs are nothing new, this season alone there will be spin-offs proposed from 
NCIS :LA and Vampire Diaries just to name a couple. There was news this week that Dick Wolf’s popular first year drama, Chicago Fire, could result in a spin-off having to do with the Chicago Police Department if all goes according to plan.

The idea of a spin-off is a tricky one, sometimes the popularity of a show cannot be explained, people love what they love, but that does not mean that all of those fans will follow to another show. Especially when spin-offs will often have a similar tone as the original because a lot of the same creative forces are behind it and that tone does not always work with other characters. Procedural dramas may be the best place for these kinds of experiments.

NCIS: LA, itself a wildly popular spin-off proves that perhaps there is room for those kinds of shows to result in a spin-off. There is always another layer of police work that seems to become the popular trend, from the classic Law and Order format that spawned a whole slew of adaptations, even as far as Law & Order: UK. Then it was the CSI boom. Now it seems to be NCIS’ turn to take another stab at a hit. It worked out very well for CBS the first and second times, but only time with tell if they strike gold for a third time.

However, one must beg the question, does the same translate to non-crime oriented shows. Private Practice was a rather successful spin-off of Grey’s Anatomy, but still never had the staying power of the original series. As the storylines became more outlandish over the course of the series it was hard for viewers not to think, would it have been better if Addison had stayed at Seattle Grace and never made the move to Los Angeles?

It can be hard for loyal fans of the original show to embrace a spin-off.  To combat this issue they should be seen as stand alone shows judged on their own merit instead of against the original. This can be difficult, especially if the spin-off is created from an already popular character on the original show. With the Vampire Diaries backdoor pilot for the spin-off based on “the originals” is scheduled to air in late April it will be hard not to ask, do we really need this show? Or should the characters remain on the original?  Only time will tell which of these pilots will be picked up, or if fans will follow, but I guess I will be trying to keep an open mind.

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